Go to martinyammoller.com

This blog is now defunct, and I’ve moved over to martinyammoller.com where there are over 100 interviews with fellow music gear junkies, such as Hainbach, Cuckoo and Trentemøller

I also do lots of YouTube and Instagram and even some songs on my Bandcamp

All the best,

Martin

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Instagrambient – A bursting yellow heart landed in the collapsible forest

a brief description of the equipment used
Tascam 424, Pearlcorder, 2 x DPA 4060, NetMD, Zoom H4, Kyma Capybara, Moogerfoogers, Reaper+lots of plugins, Xaphoon and Kalimba
how the music relates to Marcus Fishers’ Instagram
The instagram photo I received was by Marcus Fisher. It was of a recognisable scene, a clearing in a forest, so I thought that a sense of place was essential to the music. It seemed natural to use binaural field recordings, which help to produce a very realistic stereo image, that situate the listener. Yet the colours in the photo are very much opposite from what normally appears, objects are both familiar and alien. Therefore I have manipulated the field recordings, but not so much as to lose their recognisability. Birds still sound like birds, they just behave weirdly.
In the photo the subject appears as an abstract yellow form, which added a quantity of the unknown. This is represented in the morphed voices in the music, words are spoken, but nothing is understood.
Though post processing was extensive, eg. re-recording sound onto cassette tape and dictaphones. The lofi aesthetic isn’t just the analog 70’s vibe, Nearly all Instagram photos also have a lot of digital artifacts. This is why I have added quite a few layers of sounds with aliasing and bit reduction. For me Instagram is the joy of noise, as a form of nostalgia.
The photo shows a snippet of time, of a specific event happening, the music is what I imagine to be the foley track.

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Instagrambient compilation/collaboration

Just finished my contribution to the ambient / instagram album commissioned by the excellent blog and netlabel disquiet.

Read about the whole schebang here- Instagrambient. 25 ambient tracks composed with an outset from shared instagram photos. I got a photo by the talented Marcus Fisher, which was the perfect blend of abstract, tangible and a whole lot of pretty.

… best to listen while looking at the booklet
<iframe width="100%" height="450" class="html5player" scrolling="no" frameborder="no" src="http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F1443375&show_artwork=true"></iframe>

I'll probably be do a write up of my process and gear…. just, you know, to completely remove the magic and mystery from the whole thing.
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Quite delicate work

Photo1

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More tape loops.

Photo1

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Rack of moog fun so nearly up and running

Image

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Moog frame is up… Still need to mount the rotating shelves for the Mooger Foogers

Photo

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A nice little LP collection

P2791

Saved from my mom and dads collection. Guess I’m gonna have to find a player

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Great British Spring Reverb

[Editor: These free impulse responses have been moved to my new blog at martinyammoller.com at this interview with Rasmus aka. Urspring who owns the below GBS unit and recorded the samples]
Here are some free impulse responses of this beautiful electro-mechanical reverb, which we used a lot on our debut album. I recorded it 3 times, and once at a high sample rate. Each impulse has a different character, yet remain similar in tone…. which is useful in a mix. Surprisingly the impulses still have the typical ‘boing’ sound when fed with percussive material.

Gbs_reverb1

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Vinyl is a hell of a drug

Img_2480

…and when it comes to limited reissues – I'm all in.
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